The London based See Red Women’s Workshop came to life in 1973 and finally stopped producing artworks / posters in 1990. This women-only printing collective was foundered on the premise of counteracting and challenging the negative imagery focusing on females in the media and the advertising industry, later supporting a wide range of community projects.
Part of the ethos of the collective was to create a positive environment for women to work within the group, which in turn reflected the feminist politics of the age. Many of those involved had already experienced women’s consciousness raising groups and had also previously worked in radical groups. In turn, the artwork that was produced was not credited to a single artist but regarded as a collective effort. This lack of ego, individualism and hierarchy, with a focus on the collective was certainly viewed as connecting to ideas of sisterhood and indicative of women-only collaboration.
It is imperative to recognise the primary value of the women-only space that was utilised by the collective. This provided a sense of unity for the women printmakers and artists, enabling an atmosphere of mutual understanding and trust in which the sharing of knowledge and skills was the foundation of the work they created.
The group aimed to produce posters which would reflect the politics of the women’s liberation movement. Many of the posters produced were based on the personal lives of the women involved, such as issues of oppression regarding childcare, work or domestic situations. This highlighting of the common experiences of women of the era was clearly vital, not only in creating recognisable imagery, but in terms of bringing visual understanding to the feminist politics of women’s liberation.
Many of the issues the posters raised, in turn, are still very relevant to women/feminism today and the work of See Red Women’s Workshop, therefore, is both timeless and highly valuable.
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